The Key to Compelling Photography is Not What You Think
Photo by Pixabay
Let’s think about what makes a good photographer. Expert knowledge in camera settings? A deep understanding of light? Knowing all there is to know about technique? Sure, they heavily contribute, however, most photographers can develop all this. Something not every photographer has, and which sets the best from the rest, is access. Follow me.
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When you see a celebrity photographer the first thing you’ll likely notice in the frame is star power. If a photographer exclusively photographs supermodels you’ll predominantly engage with their beauty. If a photojournalist is sent to a conflict zone, the powerful images that come from such environments will be what impacts you.
What you likely won’t do, at least right away, is think about the composition, lighting and the overall quality of the image. Those with access, although still subject to critique, have a get out of jail card - because the power of what’s in the frame is what will stick with the viewer.
That’s not to say those with access to certain scenes and subjects are bad photographers. But they have more room for error. A good photographer can look great with the right scene. But, even skilled photographers can seem ordinary without a compelling subject.
I was recently at a talk by Magnum photographer Antoine d'Agata. He displayed his work through a 20 minute audiovisual presentation. In his body of work was sex, violence, and really graphic, raw details that I can still picture perfectly today. I’m talking dead bodies as the result of murder.
It was shocking, really. But, few of us will ever produce that type of work, because most of us can’t access orgies, cartels and the like. It’s not impossible, but it's extremely difficult.
Which begs the question, how does one gain access to places so few photographers are granted.
There are several factors. One must have the confidence to network and make themselves visible to those who can help gain access to certain situations. You also must be willing to take risks. Accessing difficult (often dangerous) environments or photographing high-profile people is a big risk; both to the health and mind of a photographer.
If you have all the technical ability and are wondering why your work isn’t impactful, consider how you can gain access. Put yourself out there, speak to photography organizations and collectives, do your research with boots on the ground.
It’s not easy and sometimes the route to access is purely by luck. But, the more you try, and the more you shout, the more likely luck - and access - will find its way.
More reading: How to Really Define your Photographic Voice
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